If your analog control requires your entire hand, it’s interesting.
If your analog control requires several pointing fingers, it’s interesting.
If your analog control requires your thumbs, it’s shit.
Now get the fuck out of my office!
One of the things I was most curious about with this series was the animation style they were choosing to use. Hiroshi Nagahama used rotoscoping to make Flowers of Evil, but that doesn’t seem to be the case here. The mouth movements would have been better - they actually look pretty rough in spots here. Motion capture or vtuber tech maybe?
I’ve been following this series. Queer culture varies from region to region, so it was really tricky to watch the show without projecting the concept of a western trans identity onto the main character.
It took the full length of the first season before Makoto articulates his identity (genderqueer from what I can surmise - a man with he/him pronouns who prefers feminine presentation… mostly), with the option floated to him of being able to live “as a woman,” but with no specifics given to the cultural context of that phrase.
It would be really cool to get commentary on this show from Japanese queer folks who can speak to the language choices and cultural context behind this show.
I’m waaaay more interested in that than a movie.
No love for Bananya Around the World?
Basic, but they have to start somewhere.
I think it technically counts as Spring, but Dead Dead Demons Dededede Destruction has me enraptured.
But if we’re talking about Summer alone, hands down, Dungeon People.
Mama Fratelli?
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