Yeah, that kind of mocking is a direct attack at me, and I honestly like it because I feel like my weird achievement hunting is definitely mockable (especially because I already know how ridiculous I am and thus will not change in this respect)

Thanks for this recommendation. Diverse perspectives are important in underscoring that the Israeli people are not a monolith, and that they are distinct from the state of Israel.

I often see people online speaking about Israelis as though all of them are in favour of the ongoing genocide, when this is simply not the case. That’s not to say that Netanyahu’s control of the media hasn’t led to a depressingly high proportion of Israelis to see themselves as righteous victims — years of state propaganda has unfortunately had an impact. However, there are journalists and activists (Jewish or otherwise) who are working to challenge this rhetoric.

I saw an article recently that looked at the rates of suicide in Israeli soldiers. One guy, who featured heavily in the article, had killed himself after being an IDF bulldozer driver. The article tried to dial up sympathy for him, but additional coverage (in response to this article) highlighted that this guy had posted some pretty horrifying stuff on social media — stuff like videos and photos of him in Gaza, being pretty jovial as he drove through bodies and buildings. I wonder whether the PTSD he experienced afterwards was a sort of moral immune system, and that once he was away from the kind of military camaraderie that normalises atrocities, if he began to reflect on his part in this genocide. At least for him, we’ll never know.

A Jewish, anti-Zionist friend who lived in Israel for a while said that it was disturbing to see how much the Holocaust was leveraged to make people feel scared and insecure. I imagine many members of the IDF do genuinely believe that most, if not all Palestinians hate all Jews and want them to die. That way, they can enthusiastically participate, believing that they are on the side of justice.

I once punched a Nazi at a gig, and I did enjoy it, because it feels good to be righteous and angry. Enough so that it makes me anxious about how easy it would be to lean into anger if it feels righteous.

Unfortunately, learning about things doesn’t always help. I’m still very scared of spiders, despite being big on team learning. Some fears are rational, some are irrational, and these have very different salves.

My late best friend was a metal head and I often joke that I hope he’s gone to hell, because as a queer nerd who loved TTRPGs like Dungeons and Dragons, he’d have a hell of a time there.

I went to a big, old university where there were many old chapels with excellent organs. I went to some services despite being an atheist, just to hear the pretty sounds echoing 'round a pretty room.

this type of ecological engineering

Do you count reintroducing wolves to Yellowstone to be the same type of ecological engineering? I haven’t checked progress on that for a while but the last I heard, it was too early to say whether it was successful. I highlight Yellowstone because of how cautious the effort was (it took years of planning and analysis) and this caution feels like it’s directly descended from the fuck ups of the past

It has one of the best on-screen depictions of a panic attack that I’ve ever seen, which I wasn’t expecting

There’s a reason one of the difficulties is story only.

That is something I appreciated about the game, it makes it clear that lower difficulties are valid ways to pay the game

Oh yeah, I really wish I had played on a higher difficulty for this reason. Especially because one of the most immersive and thematically cool parts of the game for me was the main story section near the end of act 1 where you have to make a blade oil to fight a >!werewolf!< . (Vague wording to minimise spoilers in my main comment.) I really liked this because it made me reflect on what it means to be a Witcher — how the knowledge might be more important than the mutations and the magic.

An additional point to the prepping is that being open-world means that you can potentially go to areas or take on challenges far beyond the “intended” level. On lower difficulties, I didn’t feel sufficiently punished for being audacious in that way, and I think the potential for punishment is part of the fun of the audacity. Especially when getting destroyed like this isn’t the game “fuck you for even trying”, but rather a “try exploring some more, find some new recipes and come back later (or just read the bestiary and find out that you already have the item you need)”

I don’t think I’ve personally played any games with that, but I think it can be a problem? I get the sense that it may vary game by game, but as I say, I have no direct experience or knowledge

I don’t know how gaming on Mac works, but since I switched my home rig to Linux a couple of years ago, I have not once had a problem with installing a new game that doesn’t have native Linux support^[1]. I wonder whether developers have learned that they can rely on Proton for their Linux support (for better or worse).

[1]: there was a point when Baldur’s Gate 3 stopped working after a big update, but I fixed it by switching to Proton-GE, a forked version of Proton. https://github.com/GloriousEggroll/proton-ge-custom

Do you apply toppings right to the edge? I’ve never had this problem despite using an absurd amount of cheese, and I was puzzling to figure out why. I think it’s because the crust rises up to act like a boundary that encloses a big lake of cheese.

I have a Catholic friend who says she treats her body like a temple — full of red wine and guilt

This is incredible in ways I can’t articulate

It’s not the most robust analogy, but I actually really like your comparison to painting restoration; to do it well, one must understand the techniques and materials used in the original (even stuff below the visible surface).

Not a lawyer, but I think the original work is still copyrighted, and that restoration wouldn’t (or certainly shouldn’t) constitute a new artwork. Though now I’m wondering about that terrible Jesus painting restoration from a few years back — it’s certainly different from the original, and whilst it might not seem reasonable to call it a new piece of “art”, it’s certainly inspired a great many people(to make memes)

I think many people who are responsible for pushing the campaign forward would agree it’s a much bigger issue. It’s just that the bigger issue is big enough that there are multiple fronts one could fight on, and this is a politically useful opportunity to push forward. A victory from this campaign will be unlikely to lead to the larger developments without more of a fight, because achieving the general rule will take a few instances of arguing the specific case.

For now, I’m excited to see where this leads, even if the answer might be “nowhere”

I think I saw a paper on this kind of thing over a year ago. Iirc, it said that engagement is lower on Mastodon, but higher quality.

That’s fun, I’m stealing that

The data are stored, so it’s not a live-feed problem. It is an inordinate amount of data that’s stored though. I don’t actually understand this well enough to explain it well, so I’m going to quote from a book [1]. Apologies for wall of text.

“Serial femtosecond crystallography [(SFX)] experiments produce mountains of data that require [Free Electron Laser (FEL)] facilities to provide many petabytes of storage space and large compute clusters for timely processing of user data. The route to reach the summit of the data mountain requires peak finding, indexing, integration, refinement, and phasing.” […]

"The main reason for [steep increase in data volumes] is simple statistics. Systematic rotation of a single crystal allows all the Bragg peaks, required for structure determination, to be swept through and recorded. Serial collection is a rather inefficient way of measuring all these Bragg peak intensities because each snapshot is from a randomly oriented crystal, and there are no systematic relationships between successive crystal orientations. […]

Consider a game of picking a card from a deck of all 52 cards until all the cards in the deck have been seen. The rotation method could be considered as analogous to picking a card from the top of the deck, looking at it and then throwing it away before picking the next, i.e., sampling without replacement. In this analogy, the faces of the cards represent crystal orientations or Bragg reflections. Only 52 turns are required to see all the cards in this case. Serial collection is akin to randomly picking a card and then putting the card back in the deck before choosing the next card, i.e., sampling with replacement (Fig. 7.1 bottom). How many cards are needed to be drawn before all 52 have been seen? Intuitively, we can see that there is no guarantee that all cards will ever be observed. However, statistically speaking, the expected number of turns to complete the task, c, is given by: where n is the total number of cards. For large n, c converges to n*log(n). That is, for n = 52, it can reasonably be expected that all 52 cards will be observed only after about 236 turns! The problem is further exacerbated because a fraction of the images obtained in an SFX experiment will be blank because the X-ray pulse did not hit a crystal. This fraction varies depending on the sample preparation and delivery methods (see Chaps. 3–5), but is often higher than 60%. The random orientation of crystals and the random picking of this orientation on every measurement represent the primary reasons why SFX data volumes are inherently larger than rotation series data.

The second reason why SFX data volumes are so high is the high variability of many experimental parameters. [There is some randomness in the X-ray pulses themselves]. There may also be a wide variability in the crystals: their size, shape, crystalline order, and even their crystal structure. In effect, each frame in an SFX experiment is from a completely separate experiment to the others."

“The Realities of Experimental Data” "The aim of hit finding in SFX is to determine whether the snapshot contains Bragg spots or not. All the later processing stages are based on Bragg spots, and so frames which do not contain any of them are useless, at least as far as crystallographic data processing is concerned. Conceptually, hit finding seems trivial. However, in practice it can be challenging.

“In an ideal case shown in Fig. 7.5a, the peaks are intense and there is no background noise. In this case, even a simple thresholding algorithm can locate the peaks. Unfortunately, real life is not so simple”

It’s very cool, I wish I knew more about this. A figure I found for approximate data rate is 5GB/s per instrument. I think that’s for the European XFELS.

Citation: [1]: Yoon, C.H., White, T.A. (2018). Climbing the Data Mountain: Processing of SFX Data. In: Boutet, S., Fromme, P., Hunter, M. (eds) X-ray Free Electron Lasers. Springer, Cham. https://doi.org/10.1007/978-3-030-00551-1_7