Probably, Yes.
But maybe not if it’s a weird prequel retcon action dramedy featuring Jack O’Neil, age 20, going undercover in Goa’uld high school to try and locate the evil fiends behind a counterfeit jeans smuggling ring, falling in love with 18 year old student Sam Carter, who sees through his macho act and urges him to try and see the good in every Goa’uld, even the Captain of the Football Team, Lants McDonaldson, the awkward son of Apophis who just wants to settle down with a human of each gender on a country farm, raising llamas.
I would shame watch that
This makes me want to point out that it is SG-1 canon that a clone of Jack O’Neil in the body of a teenager actually went back to high school, pretty much specifically to hit on teenage girls.
No I don’t think I ultimately would, for a bunch of reasons.
I’ve said it before in this community, the 2 decades of “gritty realistic” heartburn drama ushered in by Battlestar Galactica cured my love of television. I don’t currently subscribe to any streaming service and as they get more numerous, more expensive and worse I don’t think I’m going to pick the habit back up.
I think I’m developing a contact allergy to resurrected IPs. Upon reading this I don’t think “Oh boy a chance for more of my favorite adventures” I think “oh brother, some business suit with a neckhole infection has detected an IP they aren’t monetizing hard enough.” The most recent TV show to catch my eye was The Good Place, which is an original property. It was made because someone had an idea. “Do you think you’d watch a new Stargate show” sounds to me like “would you buy the industrial slop we’re going to churn out anyway if we dye it the color of a thing you liked 20 years ago?” The one thing no one has there is an idea.
It’s also just one of those shows where I don’t know what you’d do with the setting. Star Wars and Star Trek, those settings are open enough to where you could go 90 lightyears to the right and still find cool stories. Shows like Stargate, Farscape and Babylon 5 are so character-centric that I don’t know if I want to watch just another show made in that setting. Like, you could make me a Star Trek show that doesn’t have the Federation in it. Set it on a Romulan warbird or something, it would work. There have been numerous works set in the Star Wars universe that didn’t have to do with the Jedi or Rebels or Empire or whatever. What would you make out of the Farscape universe without Moya and the gang?
No, let it rest on what it achieved.
Agreed. At this point seeing news of a new stargate show would instantly make me ask “what will they fuck up with this one?”. I’d rather not see it replicated (heh) in nowadays’ world of marvelized franchises and even continuing it would be meh, seeing as the scope and the stakes grew way too high even in the original shows. Basically I feel the show was a product of its time and taking it out would screw it up. Also streaming services should stop remaking every single IP and just come up with new original shows already.
Yes if they don’t DEI it up like most shows these days.
Incidental characters, new characters here and there, fine. A storyline where it makes sense, maybe.
Half the crew? Um…no. Make one of the original characters go gay/trans for b.s. reasons, um…no
Just focus on the story. Give us a GOOD story.
lol, fuck off. Strange New worlds has a diverse cast and is a wonderful show. Lower decks, same thing. It’s totally doable. If you’re referring to something a la Discovery, the issue is poor writing for a typical Star Trek show, not that it has a diverse cast. Stop being a snowflake and watch some reruns if you can’t handle where society is going. “Can you believe I was made to look at a black person, an Asian, a GAY, AND a woman in a position of authority? It’s enough to give me the vapors!!”
I think more to the other person point is it being needlessly prioritised, seemingly at the expense of quality writing/characters.
Disco is a pretty choice example. The main character is frankly unbearable. Super unlikeable, overly emotional (despite being Vulcan) and frequently fucks up because she won’t listen or acts out of emotion. She is pointlessly insubordinate in an attempt to write her as strong but it inadvertently makes her incompetent and entitled. Everyone seems to cry, a lot, in the later season. The gay couple felt cheap and even unhealthy at some point, I think in the ep where one of them nearly dies, but unfortunately I can’t remember why. Didn’t really feel like ST just a show wearing its uniform.
Hey at least it was super diverse though. Although as you point out, it is largely the writing that boned disco. Just feels like these shows prioritise being as diverse as possible and then jump to racism the second people notice or criticise the shows for it or unrelated elements.
Super unlikeable, overly emotional (despite being Vulcan) and frequently fucks up because she won’t listen or acts out of emotion.
Being a terribly written character has norhing to do with DEI.
I have no idea what that is, from media seems to be republican speak for “not excluding anyone that isn’t white”.
But core problem with Disco isn’t the diverse cast: it’s that they went for something that doesn’t fit with the genre star trek usually fills and have writers who aren’t good at writing sci fi or shooty shooty bang bang. This diversity thing is a total red herring for conservatives and otherwise sensitive folks who can’t accept that kind of change.
The real issue with Discovery is that they fridged Michelle Yeoh so they could make Burnham the main character, a character they went to great lengths to show us is a violently xenophobic mutineer, and yet who is still somehow more open minded than nearly everyone else on Discovery.
Star Trek is supposed to be woke and Discovery wasn’t. Having a black main character doesn’t make a show woke, actually promoting social progress makes a show woke.
FINISH. STARGATE. UNIVERSE.
